Kermit Da' Krakhead
@KermitDaKrakhed
TodayRoboCop ahead of his time 😞
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Kermit Da' Krakhead
@KermitDaKrakhed
TodayRoboCop ahead of his time 😞
MIDIコンとしてゲームチェンジャーなんだが
プレステ1実機から 5600bps の超高速通信でBIOS取得できるようになった。モノラルなのでステレオで2倍にはできそうw
And this what a triple ceramic snake flute from the Aztec tradition of modern-day Mexico sounds like, played by danielhhand.
This DJ provides visuals for the deaf community so that the hearing impaired can follow along with the beat. Doing the Lord’s work. (Akona)
seedance 2.5 early 2000s test: ------------------------------------ Generate a fast, energetic montage set at an outdoor pool party in the style of an early 2000s TV show. The footage should feel like it was shot for a teen drama / reality-TV / lifestyle series from the early 2000s — playful, chaotic, youthful, sun-drenched, and slightly messy in a charming way. CAMERA STYLE: true early-2000s handheld DV / broadcast camcorder aesthetic. Use the kind of camera commonly used for behind-the-scenes TV, MTV-style coverage, reality shows, or teen pool-party montage footage from that era. The camera should feel physically operated by a person walking through the party: shaky handheld movement, imperfect framing, quick pans, sudden zoom-ins and zoom-outs, loose reframing, small exposure shifts, slight autofocus hunting, occasional overexposed highlights, rolling movement, and imperfect reactions to the action. No modern cinematic gimbal smoothness. No robotic motion. No polished high-end commercial feel. LOOK: early digital video image quality. Slightly soft detail, baked-in camcorder sharpness, bright blown highlights in the sun, mild video noise, slight interlacing / DV texture feel, saturated summer colors, warm skin tones, punchy pool blues, glossy sunscreen skin, and a nostalgic 2000s television vibe. The footage should feel like archived network TV pool-party coverage from around 2001–2006. SETTING: daytime outdoor pool party at a big suburban or resort-style house. Bright sun, clear sky, palm trees or lush greenery, lounge chairs, towels, coolers, plastic cups, floaties, people sitting on the edge of the pool, groups talking, music playing, people jumping in the water, dancing, laughing, flirting, splashing, and hanging around the patio. MONTAGE CONTENT: capture lots of quick, cuttable handheld shots from different angles and distances. Include: wide shots of the full pool party, medium handheld walk-bys through groups of people, close-ups of drinks clinking, girl…
A billionaire trader has spent 40 years trying to delete a one-hour documentary. It shows him making $100 million in a single afternoon. He predicted the crash that made it possible three months in advance. He has never explained why he wants the film gone. His name is Paul Tudor Jones. The film is on YouTube. The documentary is called "Trader." PBS filmed it in 1987, three months before Black Monday. Jones was 32 years old, working from a small New York office, wearing shorts and a t-shirt, yelling at his phones, throwing paper across the room, and sleeping under his desk. The film captures him and his research partner Peter Borish overlaying a chart of the 1929 market on 1987, month by month. The two charts tracked within one percent. Borish said this is exactly what happened in 1929. Jones said if the analog holds, October is when it breaks. On October 19, 1987, the Dow fell 22.6 percent in a single day. It remains the largest one-day percentage loss in stock market history. That afternoon, Tudor Jones covered his shorts and made roughly $100 million. He was 33 years old. He was one of the very few traders on the street who came out ahead. He tried to bury the tape because it made him look reckless in a professional world that punished swagger. Twenty years of legal effort did not delete it. Someone kept a copy. It is on YouTube. It has fewer views than most makeup tutorials. The film is not really about a crash. It is about a specific philosophy of trading. Jones is shown building conviction slowly, sizing carefully, then striking hard when the setup arrives. He is never once shown making a random bet. He is shown doing the same thing five times a day, every day, for three months. His signature line, repeated across a 45-year career: "The most important rule of trading is to play great defense, not great offense." He does not try to be right. He tries not to lose. He sets stops tight, cuts positions fast, and never averages down on a loser. Every trade i…