Jordan Daniel Chesney
- EVERY SINGLE PROMPT... FREE! Instead of just doing a behind the scenes, I thought, what if I shared ALL MY PROMPTS? So, here you go! 'Salty' on Milanote: https://t.co/pAbE8dGg3a Milanote is basically a large canvas where I organized everything. IT IS NOT MOBILE FRIENDLY, so view it on a browser. Hold down COMMAND and scroll to zoom in and out, and SHIFT to scroll horizontally. Each scene has a folder. Double click on the folder to enter into the scene's canvas where you will find all the prompts. Once in a scene folder, look at the top left of the page to see the navigation, so you can navigate in and out of each scene folder. In this video I break down exactly what I'm sharing and then walk through how I created 'Salty' on the @capcutapp Creator Studio. A massive thank you to @capcutapp for producing 'Salty'. Head over to their Creator Studio to create something amazing!
- What’s the point of 4K? Honestly, most people use 4K for those hyper-detailed, slow-mo macro shots. And I get it—they work because they grab attention. But I’m interested in something else: a raw, realistic aesthetic that feels less like a digital file and more like a real film—the kind that forces you to stop and watch, rather than just scroll past. When @capcutapp invited me to try Seedance 2.0 4K, I didn't want to make just another promo ad. I wanted to see if I could push the tech into territory that feels like a real film. I set up a few stress tests to see if this 4K could handle cinematic storytelling: - Dark Environments: Low-light gradients that usually turn to digital mush at lower resolutions. - Vibrant Color: Hyper-saturated schemes that often band and block. - Macro Shots: Using those "attention-grabbing" angles, but giving them a narrative purpose rather than just using them as a gimmick. I channeled the gritty, flashing-light aesthetic of Gaspar Noé for this. (A quick warning: his films are intense—careful.) The result is "Salty." Seedance 2.0 4K handled the mood and the detail better than I expected. Whether you're making films for fun or for a living, it’s a powerful tool for bringing those wilder, cinematic ideas to life. Huge thanks to the team at CapCut for trusting me with early access to Seedance 2.0 4K. Getting to experiment within CapCut Video Studio was a true honor—I really appreciate the creative freedom they gave me for this film. Salty A film by Jordan Daniel Chesney Produced by CapCut Music by Brendon Moeller @capcutapp #capcut 4K YouTube version in the comments.
EVERY SINGLE PROMPT... FREE! Instead of just doing a behind the scenes, I thought, what if I shared ALL MY PROMPTS? So, here you go! 'Salty' on Milanote: https://t.co/pAbE8dGg3a Milanote is basically a large canvas where I organized everything. IT IS NOT MOBILE FRIENDLY, so view it on a browser. Hold down COMMAND and scroll to zoom in and out, and SHIFT to scroll horizontally. Each scene has a folder. Double click on the folder to enter into the scene's canvas where you will find all the prompts. Once in a scene folder, look at the top left of the page to see the navigation, so you can navigate in and out of each scene folder. In this video I break down exactly what I'm sharing and then walk through how I created 'Salty' on the @capcutapp Creator Studio. A massive thank you to @capcutapp for producing 'Salty'. Head over to their Creator Studio to create something amazing!
What’s the point of 4K? Honestly, most people use 4K for those hyper-detailed, slow-mo macro shots. And I get it—they work because they grab attention. But I’m interested in something else: a raw, realistic aesthetic that feels less like a digital file and more like a real film—the kind that forces you to stop and watch, rather than just scroll past. When @capcutapp invited me to try Seedance 2.0 4K, I didn't want to make just another promo ad. I wanted to see if I could push the tech into territory that feels like a real film. I set up a few stress tests to see if this 4K could handle cinematic storytelling: - Dark Environments: Low-light gradients that usually turn to digital mush at lower resolutions. - Vibrant Color: Hyper-saturated schemes that often band and block. - Macro Shots: Using those "attention-grabbing" angles, but giving them a narrative purpose rather than just using them as a gimmick. I channeled the gritty, flashing-light aesthetic of Gaspar Noé for this. (A quick warning: his films are intense—careful.) The result is "Salty." Seedance 2.0 4K handled the mood and the detail better than I expected. Whether you're making films for fun or for a living, it’s a powerful tool for bringing those wilder, cinematic ideas to life. Huge thanks to the team at CapCut for trusting me with early access to Seedance 2.0 4K. Getting to experiment within CapCut Video Studio was a true honor—I really appreciate the creative freedom they gave me for this film. Salty A film by Jordan Daniel Chesney Produced by CapCut Music by Brendon Moeller @capcutapp #capcut 4K YouTube version in the comments.
